Here the back of the Eagle can be seen. Not detail has been added, just simply the general shape.
Front view of general shape of eagle. Head as of right now is only a placeholder.
Side view.
The Egyptian Cobra Native area of the world. Picture from:
Bald Eagle native area of the world. Picture from:
Golden Eagle native area of the world. Picture from:
Jaguar native area of the world. Picture from:
Close up of the face and front paws.
This next set of photos has more detail added to the sculpture. Here you can see the refined head, ears, tail, body, and paws.
This photos shows the general shape of the jaguar face. As you can see the only detail that has been added is the outline of the eye sockets.
Similar to the above photo, this photo shows the jaguars shape in the first few days. No detail has been added and more clay must still be taken off to achieve the desired jaguar's body and feet shape. At this point, the sculpture is only a "rough sketch".
Picture from: http://api.ning.com/files/2PskwNTTCHAstJyXShydqg3lL3DoL2q3rRgjiwQQu0CAJsmuosK4PL*oorCtHKYC*WpD5wWhtyEvB4F8tidYIYh4FqIjf-IU/amazonanimalsjaguar1.jpg
This picture of a jaguar sculpture was used to create my jaguar sculpture. I decided to model my sculpture after another artist's sculpture rather than a photo of the animal because in my opinion the jaguar was the most complex and difficult animal to portray. This way I can use the similar ways the other artist used to sculpt the animal's features. Picture from:
In this photo, you can see how the head was carved out (gutted) because the clay can only be about the width of a thumb. This process is done otherwise air bubbles can cause the sculpture to explode while cooking in the kiln.
This was the intended Eagle head. It is not done in this photo because not much detail besides the eyes and beak are present.
This was the slab of clay that we were planning to use as the Eagle torso. The torso in this picture is facing upright, in the sculpture it was going to be set up facing horizontal.
The inspirational picture above was used to mold the sculpted Eagle's head, eyes, and beak. This beak is turning out to be exceptionally difficult to sculpt. After referring to the photo, I had to go back and continually edit the beak. I am attempting to capture the thin and sleek size of the beak as well as the sheer power behind it. Picture from:
This inspirational photo was used to mold the body of the Eagle as well as to view the size proportions of the body to the head. The hardest part of the body is to sculpt the powerful wings and the detailed feathers. Picture from:
This last picture was used more to view the whole Eagle body from another position and view. The legs and feet are the main use of the picture. Picture from:
Tail and head already attached together. Detail added to tail.
Head detail not yet added. As you can see the ball of clay under the neck and the stick is used to help support the soft clay until it dries and hardens in that form.
Full body of snake hardened and ball of clay and stick can be removed. Some detail added to head.
Back of snake detail (scales) finished.
Snake head finished and the snake can be allowed to completely dry and harden to then be put in the kiln.
This image was an inspiration for my sculpted Cobra. It shows in detail the pattern of the scales on both the top and bottom of the snake. Picture from:
This image was used for a close up of what the head and face of the cobra looks like. Photograph from:
This last image was used as inspiration to create the whole snake. I realized after creating the sculpture that a real cobra's body is much longer than the sculpture. I was upset by that fact but it was too late in the process to change it. Photograph from: